Code: JP5067
ISMN: 979-0-3019-0511-1
Darius Milhaud lived from 1892-1974. In 1917, the poet
Paul Claudel was appointed the French Ambassador to
Brazil. He had previously worked with Milhaud as his
lyricist. Claudel convinced Milhaud to go with him to
Brazil as a member of his ambassadorial staff. When they
arrived, it was the height of the carnival season and
Milhaud was immediately immersed in the folk tunes and
harmonies of Brazil. He stayed in Brazil until the end
of 1918 and wrote this quartet during that time. At the
time, Milhaud was also experimenting with dissonance and
polytonality. However he never erected polytonality into
a system. It was more a question of color, adding a
characteristic tang to the melodic and contrapuntal
facility. Like many French musicians of his generation,
he rejected Wagner and Brahms, but he accepted Mahler
and Strauss. Schoenberg, whom he admired greatly, was a
friend of many years standing.
This edition, edited by John Anderson, has corrected
several errors, including incorrectly notated rhythmns
and pitches as well as inconsistencies of articulations
and dynamics between the piano score and the individual
instrument parts, that are found in the original
publication.