Canfield: Concerto after Mendelssohn for Bassoon and Orchestra
Code: JP6049 ISMN: 979-0-3019-0658-3
Concerto after Mendelssohn for Bassoon and Orchestra was written between December 10, 2016 and January 26, 2017, and orchestrated from February 20th to March 8th of 2017. Not many people know that Mendelssohn was actually intending to write a concerto for Carl Traugott Queisser, the principal trombonist in his Leipzig Gewandhaus Orchestra. Unfortunately for trombonists and music lovers, the project was never realized, and consequently David DeBoor Canfield thought that it might be worthwhile to attempt to write a trombone concerto that might have borne some similarity to the one that Mendelssohn could have written. Realizing the dearth of works in 19th-century Romantic styles for bassoon and tenor saxophone as solo instruments, he prepared versions of this piece as well for these instruments. All three versions may be considered "originals," since they have been tailored to the solo instruments they employ. The bassoon and saxophone versions are in fact a bit longer than the trombone version, since the trombonists have endurance issues that have to be taken into consideration.
The first movement is written in modified sonata allegro form. The second movement is in A-B-A song form, with an opening that features long lines in the solo instrument. The work concludes with a driving finale in modified rondo form. The movement is fast with a lot of notes, and the spirit of the movement is inspired by that found in the Mendelssohn's incidental music to A Midsummer Night's Dream.
As in other "After" works in Canfield's output, the composer didn't concern himself too much with the places in this work that sound more like Canfield writing in a 19th-century style than Mendelssohn, but he did make an effort to incorporate the melodic gestures and harmonic sequences normally associated with this great composer.
The concerto is dedicated to bassoonist Rodney Ackmann. Canfield also sought to personalize this work for its dedicatee and did so by customizing the solo part specifically with the bassoon in mind. There are significant differences between the solo bassoon part in this version compared to the solo parts of the tenor saxophone and trombone versions. Prof. Ackmann edited the solo part throughout. He premiered the piano-accompanied version of this work with pianist En-chi Anna Ho on May 2, 2018, and the orchestra version with the Oklahoma Community Orchestra under the direction of Irving L. Wagner on October 2, 2018. Total duration: approximately 17 minutes.
The version on this web page is for bassoon and orchestra. The work is scored for solo bassoon, 2 flutes, 2 oboes, 2 clarinets, bassoon, 2 horns, 2 trumpets, timpani, and strings (4-4-3-2-1). Adobe Reader software or similar PDF viewer is needed to view page samples. Click here for PDF samples from the full score.
Until a recording of this music is available, we have included digitally produced audio samples for your reference. Click on the "Music Player" icon.
Concerto after Mendelssohn for bassoon and orchestra is also available separately in a piano reduction of the accompaniment (JP9504).